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  • The Uncanniness of Regression in Lovecraft’s The Rats in the Walls

    February 6, 2017 by bsudlr

    by Aidan McBride In his 1924 story “The Rats in the Walls,” horror writer H. P. Lovecraft breaks his usual mold, moving away from typical science fiction stories and taking a decidedly more Gothic approach.  The story diverts from cosmic horror to give us a much more human villain and creates horror not through cosmic […]

    Categories

    • Issue 4: Monsters
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  • Multilayered Specter, Multifaceted Presence: A Critical Edition of H.P. Lovecraft’s ‘The Tomb’

    June 11, 2014 by bsudlr

    “This edition examines “The Tomb” in depth, including the historical context in which Lovecraft was writing, as well as the social and technological changes that occurred. It exposes multilayered ghosts housed within the text. It also examines Lovecraft’s fascination with the supernatural and the development of the horror genre, which he modeled after Poe’s work.” […]

    Categories

    • Issue 1: Historical Hauntings & Modern-Day Manifestations
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  • Ghostly Language in Lovecraft and James

    February 13, 2014 by bsudlr

    Written by Rebekah Hobbs Since the evolution of the genre, Gothic writers have employed subtle language cues to create a sense of uncanniness. In the Western tradition, an unnatural use of language often proves that something is not as it should be, that the reader has cause for alarm. In “The Tomb” (1922), H.P. Lovecraft creates […]

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    • Issue 1: Historical Hauntings & Modern-Day Manifestations
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