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  • Gala and Journal Launch

    April 20, 2015 by bsudlr

    Tonight was a big night for the journal, with our second annual Launch Gala! In lieu of a blog post, we encourage you to browse our shiny new journal at http://bsu.edu/dlr/current/. All of the staff has been working very hard to get this journal to you. We hope you enjoy the wide variety of topics and […]

    Categories

    • Introductions
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  • Quakers, Anti-Slavery, and the Underground Freedom Center

    April 13, 2015 by bsudlr

    By Nikole Darnell On February 7, the staff members of the Digital Literature Review took a trip to Cincinnati, Ohio to visit the National Underground Railroad Freedom Center. The experience was phenomenal; each member took a particular interest in various aspects of the museum and learned a great deal. Having an extensive Quaker heritage, I […]

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    • Introductions
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  • The “Making Literature” Conference Experience

    April 6, 2015 by bsudlr

    By Isaha Cook On February 26, 2015, a group of DLR students—Esther Wolfe, Daniel Brount, Jeff Owens, Bryce Longenberger, and Isaha Cook—traveled to Taylor University to attend the “Making Literature” conference. If I were to say that the DLR team’s efforts at the conference were epic in their nature, my exaggeration would only be a […]

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    • Introductions
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  • First Impressions: A Visual Analysis of the Introductory Portion of The National Underground Railroad Freedom Center’s “From Slavery to Freedom” Exhibit

    March 23, 2015 by bsudlr

    By: Isabel Vazquez Impressions are meant to do precisely what the word implies, that is, to impress, to fascinate, and excite in a manner that would be entirely unforgettable. From the moment I approached the National Underground Railroad Freedom Center in Cincinnati, OH, it certainly was impressive. The trip took place on February 7 and […]

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    • Introductions
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  • Proper Punishment?: “Sankofa” and the Politics of Punishment

    March 16, 2015 by bsudlr

    By: Morgan Aprill Sankofa (1993) is an independent film that, as director Haile Gerima explained, sought to reconnect African Americans with their forgotten pasts. Gerima’s film follows an African-American model named Mona as she is transported back in time to a slave plantation in the Western Hemisphere. The exact location is unclear, but the film […]

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    • Introductions
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  • Capturing Color on Film: Photography’s Identity Crisis and the Legacy of Slavery

    February 23, 2015 by bsudlr

    By Ramona Simmons A woman walks reminiscing through the halls of her home, stopping at a particular picture that the sun seemed to focus on. Beneath the touch of the sun’s rays glows a pale white face, artfully applied with the paints of womanhood: mascara, eyeshadow, gloss, and the list goes on. In stark contrast, […]

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  • Soccer and Slavery at the 2022 World Cup

    February 9, 2015 by bsudlr

    By: Alex Selvey As I write this blog post, the 2022 World Cup in Qatar is being planned. Upon selection by the International Federation of Association Football (FIFA) in December 2010, Qatar has been gearing up to host the event.  Nearly a decade before a single goal has been scored, the event has been littered […]

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  • The Defaming of Marie Laveau: An American Horror Story

    February 2, 2015 by bsudlr

    By: Jillian Simmons Marie Laveau was one of the few free black people and a powerful woman of high status in New Orleans during the nineteenth century when slavery was still legal. She holds a legacy that is still strong in today’s society for being the Voodoo Queen of New Orleans and also for the […]

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  • Slavery in Young Adult and Fantasy Literature: “The Winner’s Curse” by Marie Rutkoski

    January 26, 2015 by bsudlr

    By: Daniel Brount Recreating the trauma of slavery is challenging enough when writing about historical events, but it’s even more difficult with fantasy fiction. Marie Rutkoski takes on this challenge with her young adult fantasy novel The Winner’s Curse (2014). Though her work does not depict slavery perfectly, the fictional world’s slave system is successful […]

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  • Slavery and the White Savior: Then and Now

    January 19, 2015 by bsudlr

    By: Sadie Brown In reviews of Django Unchained, the film is often criticized for its portrayal of the white savior figure. In his review of the film, Matthew Hughey tells readers why Django is not a revenge fantasy: Django is no antebellum-era Shaft.  King Schultz not only buys Django’s freedom, trains him in the art […]

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