{"id":2946,"date":"2013-04-05T13:07:18","date_gmt":"2013-04-05T17:07:18","guid":{"rendered":"http:\/\/bsuenglish.wordpress.com\/?p=2946"},"modified":"2013-04-05T13:07:18","modified_gmt":"2013-04-05T17:07:18","slug":"tricia-johnson-recommends-superman-red-son-by-mark-millar-art-by-dave-johnson-and-kilian-plunket","status":"publish","type":"post","link":"https:\/\/blogs.bsu.edu\/english\/blog\/2013\/04\/05\/tricia-johnson-recommends-superman-red-son-by-mark-millar-art-by-dave-johnson-and-kilian-plunket\/","title":{"rendered":"Tricia Johnson Recommends &#8220;Superman: Red Son&#8221; by Mark Millar, art by Dave Johnson and Kilian Plunket"},"content":{"rendered":"<p><em>In the latest installment of our \u201cRecommended Reads\u201d series, undergraduate student<\/em><em>\u00a0Tricia Johnson, a\u00a0senior majoring in English Literature,\u00a0recommends<\/em> Superman: Red Son <em>by Mark Millar with\u00a0art by Dave Johnson and Kilian Plunket.<\/em><\/p>\n<p>As a new reader of comic books, I\u2019ve already been confronted by some of the stigmas that accompany the genre. I\u2019m a frequent bus rider and often read to pass the time, but I\u2019ve noticed different reactions when I pull out a novel versus a comic book. When I read a novel, I most often get asked if I\u2019m doing homework. When I read a comic book, I most often get asked \u201cYou like [insert comic series here]?\u201d with a note of surprise or even of judgment.<\/p>\n<p><!--more--><\/p>\n<p>There seems to be a disconnect between the ideas of the comic\/graphic genre, its readership, and its perceived legitimacy. While comics have been gaining critical attention as a narrative medium through works such as Art Spiegelman\u2019s Pulitzer-winning <i>Maus<\/i>, Alison Bechdel\u2019s <i>Fun House<\/i>, and Marjane Satrapi\u2019s <i>Persepolis<\/i>, among many others, that sense of perceived literary value often doesn\u2019t seem to transfer inside the world of criticism to superhero comics and outside the world of criticism to sequential art in general, a disconnect mirrored by the dual identity of the genre itself. Are these \u201cgraphic novels,\u201d made with great seriousness for adult audiences, or are they \u201ccomic books,\u201d long associated with kiddie escapism?<\/p>\n<p>While not all comic books are created equal in the same way that not all novels can claim the same narrative or stylistic prowess, I would submit <i>Superman: Red Son<\/i> by Mark Millar and artists Dave Johnson and Kilian Plunkett as a recommended read. <i>Red Son<\/i> uses its fun, fan-pleasing premise\u2014what if Superman\u2019s spaceship landed in the Soviet Union instead of the United States\u2014to comment on American foreign policy and the power, exceptionality, and sometimes corruption that haunt one\u2019s status as a superpower\u2014of the national or comic book variety.<\/p>\n<p>Removing Superman from the status of default American icon allows <i>Red Son<\/i> some critical distance with which to approach Superman\u2019s nearly limitless power and the ways and reasons that he uses it. The story is fairly simple: Superman\u2019s spaceship, launched several seconds later than in the original version of the story, lands in Soviet-controlled Ukraine instead of crash-landing on the Kent farm in the American heartland. While Superman grows into adulthood still refusing to kill and believing in the importance of protecting all innocents, he is brought up to believe in Communism and the Soviet Way and is used in the Cold War arms race against the United States. Ultimately, Superman leads a Soviet Union that becomes the world superpower.<\/p>\n<p>Slowly corrupted by his own near limitless power, Superman uses his abilities to execute an Orwellian total surveillance of the planet, protecting the security of all the world\u2019s inhabitants at the cost of their freedom, privacy, and even free will. As Stefan Buchenberger notes in his essay \u201cSuperman and the Corruption of Power,\u201d since 1972\u2019s Superman #247 \u201cMust there be a Superman,\u201d Superman comics have frequently returned to the ethical tightrope between interfering too much in others\u2019 affairs, and the duty to help others that accompanies greater power (192). \u00a0Even through <i>Red Son<\/i>\u2019s Superman isn\u2019t American, Superman is as engrained as part of the American image as football and McDonald\u2019s, and can never be fully divorced from national association. This balance between viewing the Soviet Superman as both \u201cus\u201d and \u201cnot-us\u201d allows <i>Red Son <\/i>to use Superman\u2019s well-intentioned world domination as a cautionary commentary on the imperialist tendencies of recent American foreign policy, portraying the damage done to someone else\u2019s \u201cworld\u201d when outside powers attempt to police government and private life.<\/p>\n<p>Also, <i>Red Son<\/i> is a lot of fun to read\u2014and that\u2019s okay. In keeping with the theme of the work as an alternative take on an American icon, the artwork of <i>Red Son<\/i> is often referential, alluding to past versions of the Superman story and to movements from comics and art history that have contributed to the modern Superman mythos. The Soviet setting gives occasion for panels that mimic the aesthetic style of Soviet propaganda posters from the &#8217;50s, many of which directly reference some of the more iconic and recognizable posters.<\/p>\n<p>Likewise, the artists use the opportunity of a new version of Superman to pay homage to the history of representation in the comics and superhero genre, including illustration and panel layout styles reminiscent of different artistic periods in comics history. Characters also make cameo appearances as versions of themselves outside the comics world, including a panel in which Lois Lane is drawn as Terri Hatcher from the television series <i>Lois and Clark<\/i> and Wonder Woman is drawn as Lynda Carter from the <i>Wonder Woman<\/i> television series.<\/p>\n<p><i>Red Son <\/i>offers readers the best of both worlds, remaining proud of its superhero roots by embracing and referencing the history of the genre and its role in popular culture while using its superpowered protagonists to explore the ramifications of exercising political and military power to ensure security. <i>Red Son<\/i> makes labels like \u201cserious\u201d graphic novel or \u201cchildish\u201d comic book irrelevant, weaving together humor and satire to create a thought-provoking and entertaining read.<\/p>\n<p>Millar, Mark, Dave Johnson, Kilian Plunkett, Andrew Robinson, and Walden Wong. <i>Superman: Red Son<\/i>. New York: DC Comics, 2004.<\/p>\n<p>Buchenberger, Stefan. \u201cSuperman and the Corruption of Power.\u201d <i>The Ages of Superman: Essays on the Man of Steel in Changing Times<\/i>. Ed. Joseph J. Darowski. Jefferson, North Carolina: McFarland, 2012.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In the latest installment of our \u201cRecommended Reads\u201d series, undergraduate student\u00a0Tricia Johnson, a\u00a0senior majoring in English Literature,\u00a0recommends Superman: Red Son by Mark Millar with\u00a0art by Dave Johnson and Kilian Plunket. As a new reader of comic books, I\u2019ve already been confronted by some of the stigmas that accompany the genre. I\u2019m a frequent bus rider [&hellip;]<\/p>\n","protected":false},"author":34,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24],"tags":[377,873,986,1421,1523],"class_list":["post-2946","post","type-post","status-publish","format-standard","hentry","category-recommendation-station","tag-dave-johnson","tag-kilian-plunket","tag-mark-millar","tag-superman-red-son","tag-tricia-johnson"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Tricia Johnson Recommends &quot;Superman: Red Son&quot; by Mark Millar, art by Dave Johnson and Kilian Plunket - Ball State English Department<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blogs.bsu.edu\/english\/blog\/2013\/04\/05\/tricia-johnson-recommends-superman-red-son-by-mark-millar-art-by-dave-johnson-and-kilian-plunket\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tricia Johnson Recommends &quot;Superman: Red Son&quot; by Mark Millar, art by Dave Johnson and Kilian Plunket - Ball State English Department\" \/>\n<meta property=\"og:description\" content=\"In the latest installment of our \u201cRecommended Reads\u201d series, undergraduate student\u00a0Tricia Johnson, a\u00a0senior majoring in English Literature,\u00a0recommends Superman: Red Son by Mark Millar with\u00a0art by Dave Johnson and Kilian Plunket. 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