{"id":2858,"date":"2013-03-18T10:56:36","date_gmt":"2013-03-18T14:56:36","guid":{"rendered":"http:\/\/bsuenglish.wordpress.com\/?p=2858"},"modified":"2018-11-12T13:01:05","modified_gmt":"2018-11-12T18:01:05","slug":"in-print-interview-marcus-wicker-poet","status":"publish","type":"post","link":"https:\/\/blogs.bsu.edu\/english\/blog\/2013\/03\/18\/in-print-interview-marcus-wicker-poet\/","title":{"rendered":"In Print Interview: Marcus Wicker, Poet"},"content":{"rendered":"

Marcus Wicker<\/a> is this year\u2019s poet for the In Print Festival of First Books<\/a>, which will be on Tuesday and Wednesday of this week!<\/em>\u00a0His debut collection of poems,\u00a0<\/a><\/em>Maybe the Saddest Thing<\/a>,\u00a0was selected for the National Poetry Series<\/a> and published last year by Harper\u00a0Perennial<\/a>. Below, Wicker discusses his book, inspirations, and writing experiences among other topics in an interview conducted by Makayla Sickbert. Also, be sure to check out interviews\u00a0with In Print Festival\u2019s fiction author Eugene Cross<\/a>\u00a0and nonfiction author Elena Passarello<\/a>, and don\u2019t forget to join us on March 19 and 20 at 7:30 PM in the Student Center Ballroom for the 8th annual In Print Festival of First Books!<\/em><\/p>\n

\"*Photo<\/a>

*Photo provided by Marcus Wicker<\/p><\/div>\n

Marcus Wicker\u2019s first book Maybe the Saddest Thing<\/i><\/a> was selected for the National Poetry Series<\/a> and published by Harper Perennial<\/a> in 2012. He has received fellowships from The Poetry Foundation<\/a>, Cave Canem<\/a>, the Fine Arts Work Center<\/a>, and Indiana University<\/a>. Wicker\u2019s work has appeared in Poetry<\/i><\/a>, Beloit<\/i><\/a>, Third Coast<\/i><\/a>, and Ninth Letter<\/i><\/a>, among other journals. He is assistant professor of English at University of Southern Indiana<\/a> and poetry editor of Southern Indiana Review<\/i><\/a>.<\/p>\n

The following interview was conducted by\u00a0Broken Plate 2013 student faculty member\u00a0Makayla Sickbert.<\/p>\n

<\/p>\n

Congratulations on publishing Maybe the Saddest Thing<\/em>! How did it feel to publish your first book as part of the National Poetry Series?<\/b><\/p>\n

Thanks, Makayla. Pretty wonderful! I remember the day my first box of books arrived; I kept rubbing the cover as if it were a genie\u2019s lamp or a mirage. Maybe I was checking for authenticity. That night I walked around the house reading the collection aloud, from cover to cover. I must have finished it three or four times.<\/p>\n

How did you start writing? Did poetry come easy for you?<\/b><\/p>\n

I can\u2019t recall a time in my life when I wasn\u2019t scribbling something in a notebook somewhere, but I suppose I began to take poetry seriously my sophomore year of high school. I had a cool English teacher who took our class to the National Youth Poetry Slam (now known as Brave New Voices) at the University of Michigan. There I saw teens my age reading better versions of my notebook\u2019s contents but with flare. I thought \u201cI could do this\u201d and did, until my first college creative writing course where I began to spend more time on the page.<\/p>\n

A selection of your book titled \u201cBeats, Breaks, & B-Sides\u201d has a lot of references to music. What do you feel is the relationship between your poetry and music?<\/b><\/p>\n

Legendary drummer Art Blakey once said \u201cJazz washes away the dust of everyday life.\u201d Every now and then, when a poem is underway and I\u2019m in the pocket\u2014words in the right register, cadences crisp\u2014I feel a little like a lightheaded horn player or emcee. For several hours at a time, the real world falls away. Does that count?<\/p>\n

Where do you enjoy writing and what are your actual tools? Is your process actually like you describe in \u201cI\u2019m a Sad, Sad Man. So Sad\u201d? Or has it changed as you\u2019ve moved to different locations?<\/b><\/p>\n

I\u2019m still writing on the go, always taking notes: in my planner, on the back of student poems, on flyers. Sometimes I start with a pen and make my way to the laptop. Other times I\u2019ll skip the pen and go straight to the PC. I\u2019ve got a great office in my apartment equipped with plenty of corkboard for in-progress poems and a punching bag for slow motion drafts. I usually write there.<\/p>\n

Who\/what are you currently reading\/listening to?<\/b><\/p>\n

A little bit of everything. Donne\u2019s \u201cHoly Sonnets,\u201d Jacob Shores Arguello\u2019s In the Absence of Clocks<\/em><\/a>, dystopian novels, francine j. harris\u2019s allegiance<\/em><\/a>, Matthew Dickman\u2019s latest, and a boatload of submissions for Southern Indiana Review<\/em><\/a>.<\/p>\n

Musicians in heavy rotation: Oddissee, Kendrick Lamar, Terrance Blanchard, Madlib, Curtis Mayfield, Pete Rock.<\/p>\n

You\u2019re currently teaching at the University of Southern Indiana. Have you learned anything from your students there? Has teaching influenced your writing at all?<\/b><\/p>\n

My students at USI are fantastic; they\u2019re often more innovative than they realize. I\u2019ll end up stealing from them before the semester is over.<\/p>\n

I\u2019m sure teaching has influenced my writing in more ways than I\u2019ve considered, but it certainly influences my reading. In a practical sense, I read poems more critically for the purpose of teaching, as opposed to sitting down with a literary journal on a leisurely Saturday afternoon. I\u2019ve read Galway Kinnell\u2019s \u201cAfter Making Love We Hear Footsteps\u201d literally hundreds of times.\u00a0 In preparation for class this morning, I reread the piece, saw something new, and fell for it all over again. I should thank my students for that.<\/p>\n

If you had to be remembered by just three poems in this book, which would you choose?<\/b><\/p>\n

They change with the day. At this moment: \u201cStakes is High,\u201d \u201cSelf Dialogue Watching Richard Pryor Live on the Sunset Strip,\u201d and \u201c1998.\u201d<\/p>\n

– Interview conducted by Makayla Sickbert<\/p>\n","protected":false},"excerpt":{"rendered":"

Marcus Wicker is this year\u2019s poet for the In Print Festival of First Books, which will be on Tuesday and Wednesday of this week!\u00a0His debut collection of poems,\u00a0Maybe the Saddest Thing,\u00a0was selected for the National Poetry Series and published last year by Harper\u00a0Perennial. Below, Wicker discusses his book, inspirations, and writing experiences among other topics […]<\/p>\n","protected":false},"author":34,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1656],"tags":[709,976,1008,1181],"class_list":["post-2858","post","type-post","status-publish","format-standard","hentry","category-news-hype","tag-in-print-festival-of-first-books","tag-marcus-wicker","tag-maybe-the-saddest-thing","tag-poetry"],"yoast_head":"\nIn Print Interview: Marcus Wicker, Poet - Ball State English Department<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blogs.bsu.edu\/english\/blog\/2013\/03\/18\/in-print-interview-marcus-wicker-poet\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"In Print Interview: Marcus Wicker, Poet - Ball State English Department\" \/>\n<meta property=\"og:description\" content=\"Marcus Wicker is this year\u2019s poet for the In Print Festival of First Books, which will be on Tuesday and Wednesday of this week!\u00a0His debut collection of poems,\u00a0Maybe the Saddest Thing,\u00a0was selected for the National Poetry Series and published last year by Harper\u00a0Perennial. 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