{"id":3958,"date":"2023-09-06T13:08:42","date_gmt":"2023-09-06T17:08:42","guid":{"rendered":"https:\/\/blogs.bsu.edu\/doma\/?p=3958"},"modified":"2026-01-27T15:44:39","modified_gmt":"2026-01-27T20:44:39","slug":"celebrating-south-african-art-the-zulus-and-their-vessels","status":"publish","type":"post","link":"https:\/\/blogs.bsu.edu\/doma\/2023\/09\/06\/celebrating-south-african-art-the-zulus-and-their-vessels\/","title":{"rendered":"Celebrating South African art: The Zulus and their vessels\u00a0"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><em>Image: South Africa (Twentieth century), Beer Fermentation Vessel, Gift of Douglas Dawson in honor of David T. Owsley<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Written by Tori Smith, Public Relations and Social Media Assistant<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dim lights highlight the two figures that are hidden within the Africa gallery. Beside them are two vessels, one from South Africa.\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Today, September 6, is Eswatini\u2019s Independence Day. Eswatini, a country in Southern Africa, was originally known as Swaziland. It gained its independence in 1968. To celebrate its country adopting a new constitution, it\u2019s important to celebrate the Southern African art we have showcased in DOMA.\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A Beer Fermentation vessel sits strongly beneath the woman figure. Its potter, unknown, is an unidentified woman from the Zulus.\u00a0<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Culture<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">The Zulus are the largest ethnic group in Southern Africa. Although most Zulus are commonly found living in the South Africa\u2019s Gauteng Province, they can also be found in communities like Zambia, Lesotho, and Eswatini.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Singing, dancing, and drumming are the Zulus\u2019 main art forms. They also enjoy storytelling and poetry. The Zulus who reside in rural areas spend time weaving and making pots, such as the one found in the Africa gallery.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The vessels in Zulu culture are sometimes used during important life events like funerals and weddings, but also used between ancestors. Coined an Ukhamba (plural: izinkamba), the round vessel is used for communal drinking.\u00a0\u00a0<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">The tradition<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">According to the Timoty S. Y. Lam Museum of Anthropology, pottery in the Zulu culture is an artform passed down from mother to daughter.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This tradition is confirmed by two of the most well-known Zulu ceramicists, mother and daughter, Siphiwe Nala and Nesta Nala. They formed a partnership, and their works were hard to tell apart from each other. Nesta eventually bore seven children, one predeceasing her. The six children (Siphiwe\u2019s grandchildren) all became potters. It was traditional for girls to start working with clay at an early age. One of her children started at age nine, while the others at 11.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Before Nesta started signing her pots, she would carve in an eight-petal flower to note the creation was hers. Siphiwe invented the eight-petal flower, but they carved it slightly differently.\u00a0\u00a0<\/p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><a href=\"http:\/\/ballstate.dom5183.com:8080\/objects-1\/info?query=Disp_Title%20has%20words%20%22beer%20fermentation%20vessel%22&amp;sort=9\"><img loading=\"lazy\" decoding=\"async\" width=\"950\" height=\"744\" src=\"https:\/\/bsu-wpe-blogs.s3.amazonaws.com\/wp-content\/uploads\/sites\/41\/2023\/09\/06130013\/T2012.028.002v04.jpg\" alt=\"\" class=\"wp-image-3960 size-full\" srcset=\"https:\/\/bsu-wpe-blogs.s3.amazonaws.com\/wp-content\/uploads\/sites\/41\/2023\/09\/06130013\/T2012.028.002v04.jpg 950w, https:\/\/bsu-wpe-blogs.s3.amazonaws.com\/wp-content\/uploads\/sites\/41\/2023\/09\/06130013\/T2012.028.002v04-300x235.jpg 300w, https:\/\/bsu-wpe-blogs.s3.amazonaws.com\/wp-content\/uploads\/sites\/41\/2023\/09\/06130013\/T2012.028.002v04-768x601.jpg 768w\" sizes=\"auto, (max-width: 950px) 100vw, 950px\" \/><\/a><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\">While the vessel found in DOMA was used for brewing, there were other reasons why Zulus created different vessels. Those reasons could be for transport, storage, or even medicinal purposes.\u00a0\u00a0The vessel that sits in our gallery was created using a burnishing process. According to the Merriam-Webster dictionary, to burnish something is to make it shiny or lustrous especially by rubbing.\u00a0<\/p>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">According to the Art Institue of Chicago, the raised welts found on the pot in DOMA are among the most common embellishments of Zulu pottery. This could symbolize the scarification of Zulu women, or the herds of cattle owned by a wealthy family. Scarification is the act of permanently marking the body by cutting through or branding the skin.\u00a0<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Learn more<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">If you\u2019re interested in learning more about the Zulu culture and the art they have created, the Pucker Gallery in Boston has created a guide of conversation pieces of Zulu pottery they have at their gallery. View the guide <a href=\"https:\/\/static1.squarespace.com\/static\/594044bd3a041171e0426683\/t\/5dfce54a37b1121623ebe27a\/1576854861322\/ONDA-South+African+2019DIGITALCatalog+FINAL.pdf.\" target=\"_blank\" rel=\"noreferrer noopener\">here<\/a>.\u00a0<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p class=\"wp-block-paragraph\">As always, thank you for reading the DOMA Insider! DOMA is free and open to the public; we are open Tuesday \u2013 Friday 9:00 a.m. \u2013 4:30 p.m., and Saturday from 1:30 p.m. \u2013 4:30 p.m. Check out our website at <a href=\"https:\/\/www.bsu.edu\/doma\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.bsu.edu\/doma<\/a>.\u00a0\u00a0\u00a0<\/p>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Sources<\/summary>\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/nam12.safelinks.protection.outlook.com\/?url=https%3A%2F%2F2009-2017.state.gov%2Foutofdate%2Fbgn%2Fswaziland%2F121390.htm&amp;data=05%7C01%7Ctnsmith2%40bsu.edu%7C8f0dfa0c52154b7f4f6b08dba97bd562%7C6fff909f07dc40da9e30fd7549c0f494%7C0%7C0%7C638290121564900625%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&amp;sdata=RNzqP5qpbkdwoAwIE2KGMTiDTGfOoOopgLQz%2F%2BUd4Ow%3D&amp;reserved=0\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/2009-2017.state.gov\/outofdate\/bgn\/swaziland\/121390.htm<\/a>&nbsp;<\/li>\n\n\n\n<li><a href=\"https:\/\/go.gale.com\/ps\/i.do?p=GVRL&amp;u=munc80314&amp;id=GALE%7CCX8002600341&amp;v=2.1&amp;it=r&amp;sid=summon&amp;aty=ip\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/go.gale.com\/ps\/i.do?p=GVRL&amp;u=munc80314&amp;id=GALE%7CCX8002600341&amp;v=2.1&amp;it=r&amp;sid=summon&amp;aty=ip<\/a>\u00a0 = Williams, Victoria. &#8220;Zulu.&#8221; <em>Indigenous Peoples<\/em>: <em>An Encyclopedia of Culture, History, and Threats to Survival<\/em>, vol. 4, ABC-CLIO, 2020, pp. 1200-1205. <em>Gale eBooks<\/em>, link.gale.com\/apps\/doc\/CX8002600341\/GVRL?u=munc80314&amp;sid=summon&amp;xid=4798b414. Accessed 23 Aug. 2023.\u00a0<\/li>\n\n\n\n<li><a href=\"https:\/\/lammuseum.wfu.edu\/2023\/04\/zulu-beer-pot\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/lammuseum.wfu.edu\/2023\/04\/zulu-beer-pot\/<\/a><\/li>\n\n\n\n<li>PERRILL, ELIZABETH. <em>Burnished: Zulu Ceramics between Rural and Urban South Africa<\/em>. Indiana University Press, 2022. <em>JSTOR<\/em>, <a href=\"https:\/\/doi.org\/10.2307\/j.ctv2cmr8tp\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/doi.org\/10.2307\/j.ctv2cmr8tp<\/a>. Accessed 23 Aug. 2023.\u00a0<\/li>\n\n\n\n<li>Jolles, F. &#8220;Zulu Ceramics in Transition: Siphiwe MaS\u2019Khakhane Nala and Her Daughter Nesta Landeleni Nala.&#8221;<em> Southern African Humanities<\/em>, vol. 25, 2013, pp. 1-24<em>. ProQuest<\/em>, <a href=\"https:\/\/www.proquest.com\/scholarly-journals\/zulu-ceramics-transition-siphiwe-mas-khakhane\/docview\/2445693712\/se-2\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.proquest.com\/scholarly-journals\/zulu-ceramics-transition-siphiwe-mas-khakhane\/docview\/2445693712\/se-2<\/a>.\u00a0<\/li>\n\n\n\n<li><a href=\"https:\/\/rdcu.be\/dket7\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>https:\/\/rdcu.be\/dket7<\/strong><\/a><strong> = <\/strong>Nxumalo, B. Aspects of Zulu Ceramic Traditions in the Upper and Lower uThukela Basin, KwaZulu-Natal, South Africa. <em>Afr Archaeol Rev<\/em> 40, 89\u2013106 (2023). <a href=\"https:\/\/doi.org\/10.1007\/s10437-022-09510-9\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/doi.org\/10.1007\/s10437-022-09510-9<\/a><\/li>\n\n\n\n<li>\u00a0<a href=\"https:\/\/www.artic.edu\/artworks\/180973\/vessel-ukhamba\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.artic.edu\/artworks\/180973\/vessel-ukhamba<\/a>\u00a0<\/li>\n\n\n\n<li><a href=\"http:\/\/web.prm.ox.ac.uk\/bodyarts\/index.php\/permanent-body-arts\/scarification.html\" target=\"_blank\" rel=\"noreferrer noopener\">http:\/\/web.prm.ox.ac.uk\/bodyarts\/index.php\/permanent-body-arts\/scarification.html<\/a>&nbsp;<\/li>\n\n\n\n<li><a href=\"https:\/\/www.merriam-webster.com\/dictionary\/burnish\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.merriam-webster.com\/dictionary\/burnish<\/a>&nbsp;<\/li>\n<\/ul>\n<\/details>\n","protected":false},"excerpt":{"rendered":"<p>Image: South Africa (Twentieth century), Beer Fermentation Vessel, Gift of Douglas Dawson in honor of David T. Owsley Written by Tori Smith, Public Relations and Social Media Assistant Dim lights highlight the two figures that are hidden within the Africa gallery. Beside them are two vessels, one from South Africa.\u00a0 Today, September 6, is Eswatini\u2019s [&hellip;]<\/p>\n","protected":false},"author":370,"featured_media":3961,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[52,15],"tags":[],"class_list":["post-3958","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-education","category-history"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Celebrating South African art: The Zulus and their vessels\u00a0 - DOMA Insider<\/title>\n<meta name=\"description\" content=\"Today, September 6, is Eswatini\u2019s Independence Day. 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