{"id":3925,"date":"2023-03-30T13:07:22","date_gmt":"2023-03-30T17:07:22","guid":{"rendered":"https:\/\/blogs.bsu.edu\/doma\/?p=3925"},"modified":"2023-04-13T14:04:33","modified_gmt":"2023-04-13T18:04:33","slug":"5-women-artists-at-doma","status":"publish","type":"post","link":"https:\/\/blogs.bsu.edu\/doma\/2023\/03\/30\/5-women-artists-at-doma\/","title":{"rendered":"5 women artists at DOMA\u00a0"},"content":{"rendered":"\n

Written by Tori Smith, Public Relations and Social Media Intern <\/p>\n\n\n\n

To commemorate Women\u2019s History Month, we wanted to highlight works of five women artists that are on view at DOMA. Please use this article as a scavenger hunt for your next visit to DOMA! <\/p>\n\n\n\n

June Edmonds <\/strong><\/p>\n\n\n\n

June Edmond\u2019s piece Convictions I<\/em> lays noticeable and colorful in the western-most bay of the Ball Brothers Gallery. The thick individual strokes of paint represent the skin tones of people of color. Color has played an especially important role in the intersection of Edmonds\u2019s personal, political and artistic journeys. Color associations can be tied to culturally symbolic imagery, trauma, and emotion, giving color the unique discursive ability to communicate about power and systemic disenfranchisement. According to her resume<\/a>, she was born in and works in Los Angeles. She has earned two art degrees and a certification in Social and Emotional Arts. She has had exhibitions in California, Massachusetts and New York.  <\/p>\n\n\n\n

Christina Ramberg <\/strong><\/p>\n\n\n\n

Christina Ramberg\u2019s piece Schizophrenic Discovery<\/em> sits across from June Edmond\u2019s piece. Ramberg\u2019s painting notes the complex subjects of gender identification, objectification as a female and psychological distress. According to the Madison Museum of Contemporary Art<\/a>, Christian was born in Fort Campbell, Kentucky. She completed both degrees at the School of the Art Institute of Chicago (SAIC). She eventually became a member of SAIC\u2019s Drawing and Painting Department. Although she started her artistic career painting on Masonite as seen in the galleries, she eventually became a seamstress and a quilter.  <\/p>\n\n\n\n

Dorothy Dehner<\/a> <\/strong><\/p>\n\n\n\n

Dorothy Dehner\u2019s piece, Northern Wall #2<\/em>, emulates street signs, graffiti, and the general street near Dehner\u2019s Manhattan studio at 41 West Union Square, where several women visual artists and sculptors maintained a communal workspace. According to the National Museum of Women in the Arts<\/a>, Dehner was born in Cleveland. After realizing the title of actress wouldn\u2019t fit her, she moved to New York to become a visual artist instead and learned to at Skidmore College in Saratoga Springs, New York. She was married to David Smith, Indiana\u2019s most famous modern sculptor, for 25 years before their divorce. She focused on painting and drawing while they were together, eventually \u201cflourishing\u201d as a sculptor. <\/p>\n\n\n\n

Mainie Harriet Jellet <\/strong><\/p>\n\n\n\n

Mainie Harriet Jellet\u2019s piece, Constructive Construction<\/em> uses a Cubist style that breaks down the space of the canvas into different segments, focusing on shapes and bright colors instead of a realistic subject. After returning to her hometown of Dublin in 1921, Jellett became a passionate advocate of abstract art and the Modernist movement. Her painting style was often criticized, but she eloquently defended her ideas of eloquently defending artistic trends of the time and embracing non-objective imagery to communicate with the viewer. In 1943, Jellett founded the Irish Exhibition of Living Art.   <\/p>\n\n\n\n

Stella Snead <\/strong><\/p>\n\n\n\n

Stella Snead\u2019s piece Advancing Monuments<\/em> sits on the wall. The surrealist landscape is composed of female forms balancing precariously on receding rocky perches. Snead was born in England. According to Tate<\/a>, a trip that Snead took in her twenties inspired her to go to painting school. She lived in Taos for four years which inspired some of her paintings, \u201cAdvancing Monuments\u201d elements suggesting that the faceless figures in her composition were a part of the Taos Pueblo Indians. About Advancing Monuments, <\/em>Snead said \u201cIn those days I often heard myself saying, \u2018If I weren\u2019t a painter I\u2019d like to go on an expedition.\u2019 I was fascinated by the earth\u2019s phenomena, the more spectacular the better…\u201d <\/p>\n\n\n\n

 
As always, thank you for reading the DOMA insider and make sure to visit the museum soon! DOMA is free and open to the public; we are open Tuesday \u2013 Friday 9:00 a.m. \u2013 4:30 p.m., and Saturday from 1:30 p.m. \u2013 4:30 p.m. Check out our website at bsu.edu\/doma. <\/p>\n","protected":false},"excerpt":{"rendered":"

Written by Tori Smith, Public Relations and Social Media Intern  To commemorate Women\u2019s History Month, we wanted to highlight works of five women artists that are on view at DOMA. Please use this article as a scavenger hunt for your next visit to DOMA!  June Edmonds  June Edmond\u2019s piece Convictions I lays noticeable and colorful […]<\/p>\n","protected":false},"author":370,"featured_media":3926,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[14,15],"tags":[],"class_list":["post-3925","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artists","category-history"],"yoast_head":"\n5 women artists at DOMA\u00a0 - DOMA Insider<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blogs.bsu.edu\/doma\/2023\/03\/30\/5-women-artists-at-doma\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"5 women artists at DOMA\u00a0 - DOMA Insider\" \/>\n<meta property=\"og:description\" content=\"Written by Tori Smith, Public Relations and Social Media Intern  To commemorate Women\u2019s History Month, we wanted to highlight works of five women artists that are on view at DOMA. 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Dr. Phillips has a Bachelor\u2019s Degree in Art History and Religious Studies and a PhD in Visual Studies, and has been a professor\u2026","rel":"","context":"In "Events"","block_context":{"text":"Events","link":"https:\/\/blogs.bsu.edu\/doma\/category\/events\/"},"img":{"alt_text":"Jamini Roy, Rama, Sita, Lakshmana, 1945","src":"https:\/\/i0.wp.com\/blogs.bsu.edu\/doma\/wp-content\/uploads\/sites\/41\/2015\/02\/roy.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3291,"url":"https:\/\/blogs.bsu.edu\/doma\/2022\/01\/31\/a-new-year-a-new-doma-insider\/","url_meta":{"origin":3925,"position":4},"title":"A New Year, a New DOMA Insider","author":"domainsiderbsu","date":"January 31, 2022","format":false,"excerpt":"Written by: Griffin Green - Education Assistant With our last article having been posted on Nov 7, 2019, it goes without saying that things have been a little quiet here on the DOMA Insider blog. The COVID-19 pandemic has been relentless, but so are we here at the David Owsley\u2026","rel":"","context":"In "Artists"","block_context":{"text":"Artists","link":"https:\/\/blogs.bsu.edu\/doma\/category\/artists\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blogs.bsu.edu\/doma\/wp-content\/uploads\/sites\/41\/2022\/01\/doma-blog-1-2-2.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2889,"url":"https:\/\/blogs.bsu.edu\/doma\/2018\/03\/19\/5womenartists\/","url_meta":{"origin":3925,"position":5},"title":"#5WomenArtists","author":"domainsiderbsu","date":"March 19, 2018","format":false,"excerpt":"Written by: Emily Sabens,\u00a0Public Relations Intern In March of 2016, the National Museum of Women in the Arts launched a social media campaign in honor of Women\u2019s History Month. They asked what seemed like a simple question: \u201cCan you name five women artists off the top of your head?\u201d But\u2026","rel":"","context":"In "Artists"","block_context":{"text":"Artists","link":"https:\/\/blogs.bsu.edu\/doma\/category\/artists\/"},"img":{"alt_text":"ramberg","src":"https:\/\/i0.wp.com\/blogs.bsu.edu\/doma\/wp-content\/uploads\/sites\/41\/2018\/03\/ramberg.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.bsu.edu\/doma\/wp-content\/uploads\/sites\/41\/2018\/03\/ramberg.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.bsu.edu\/doma\/wp-content\/uploads\/sites\/41\/2018\/03\/ramberg.jpg?resize=525%2C300 1.5x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.bsu.edu\/doma\/wp-json\/wp\/v2\/posts\/3925","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.bsu.edu\/doma\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.bsu.edu\/doma\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.bsu.edu\/doma\/wp-json\/wp\/v2\/users\/370"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.bsu.edu\/doma\/wp-json\/wp\/v2\/comments?post=3925"}],"version-history":[{"count":0,"href":"https:\/\/blogs.bsu.edu\/doma\/wp-json\/wp\/v2\/posts\/3925\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.bsu.edu\/doma\/wp-json\/wp\/v2\/media\/3926"}],"wp:attachment":[{"href":"https:\/\/blogs.bsu.edu\/doma\/wp-json\/wp\/v2\/media?parent=3925"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.bsu.edu\/doma\/wp-json\/wp\/v2\/categories?post=3925"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.bsu.edu\/doma\/wp-json\/wp\/v2\/tags?post=3925"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}