{"id":3702,"date":"2023-02-21T20:15:37","date_gmt":"2023-02-21T20:15:37","guid":{"rendered":"https:\/\/domainsiderbsu.wordpress.com\/?p=3702"},"modified":"2023-02-21T20:15:37","modified_gmt":"2023-02-21T20:15:37","slug":"a-wild-story-is-told-in-doma-galleries","status":"publish","type":"post","link":"https:\/\/blogs.bsu.edu\/doma\/2023\/02\/21\/a-wild-story-is-told-in-doma-galleries\/","title":{"rendered":"A Wild Story is told in DOMA galleries"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Image: Francisco De Goya, Spanish (1746-1828), <em>Animal Folly<\/em>, 1877, etching, aquaint, and tonal scratches, 9 \u00bd x 13 7\/8 in. plate, The David and Sarojini Johnson Collection.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Written by Olivia Miller, Education Intern<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>A Wild Story: The David and Sarojini Johnson Print Collection<\/em><\/strong><strong> <\/strong>is an exhibition of prints created with a wide range of techniques and styles, paired with essays examining the collection. The selections include works from influential German Expressionists, Midwestern artists and pieces tied to Nazi condemnation and the Atelier 17 legacy. The artists in this show revolutionized printing\u2019s visual capabilities and pushed the definition of the form from Goya\u2019s powerful imagery and legacy to the revival and development of new intaglio techniques.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>A Wild Story <\/em><\/strong>is the first public exhibition of<strong> <\/strong>David and Sarojini Johnson\u2019s four decades worth of collected prints. Their collection has grown to become a thorough representation of the life and legacy of the artists and movements that the Johnson\u2019s value. Similar to their lives dedicated to art and education, the David and Sarojini Johnson print collection continues to communicate with, teach and inspire the next generation of printmakers.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Over 25 printmakers within the Johnson\u2019s and DOMA\u2019s collection (acquired per request of David Johnson). &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The Johnson\u2019s are lifelong printmakers and educators<em>.<\/em> From an education standpoint, these prints visualize lessons and teachings from Goya to Colescott. Sharing this collection with the university aligns with the Johnson value of sharing knowledge with the minds of the community.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Behind the Scenes with the Education Team<\/strong><strong>:<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;Behind the scenes, the DOMA education team has been planning programming and resources to supplement visitor experiences during this exhibition. By participating in these lessons and activities, viewers will gain a deeper understanding of the context, process, and significance of the works:&nbsp;&nbsp;<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Why are they in the gallery?&nbsp;&nbsp;<\/li>\n\n\n\n<li>How and why were they made?&nbsp;&nbsp;<\/li>\n\n\n\n<li>What does the artist want us to take away from our time in front of these works of art?&nbsp;<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;These lessons encourage interdisciplinary thinking, as history and science play just as much of a role in the creation of these artworks as the elements and principles of design.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">While at the gallery, visitors have the opportunity to experience printmaking in a hands-on way, through printing with foam and markers, exploration of textures and personalization of color within simplified paper versions of select works.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Everyone, regardless of age, is a student. Lifelong learning is always encouraged at DOMA. The education team prioritized making printmaking accessible to everyone, no matter what materials someone might have laying around at home. Printing with potato carvings can mimic a woodcut while scratchboard drawings introduce the same line qualities as intaglio.\u00a0\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">By researching printing techniques used by the artists in the exhibition and creating lessons that make these processes accessible to all students, the provided resources align with the Johnson\u2019s mission of making education available for the whole community.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The exhibition is open to the public from Feb. 23 to May 21 in the Francis Brown Study Room galleries, spaces that will be able to display the works in a cyclical, all-encompassing environment. &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">For a closer discussion with visiting artists about printmaker\u2019s creative practices, join the Printmakers Panel and Reception on March 23. The museum will be open to the public for a 5:00 p.m. reception with the discussion beginning at 6:00 p.m.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ball State University faculty, educators, and Museum Friends are invited to register for the Education Exhibition Overview tour on Feb. 27 at 4:00 p.m.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">As always, thank you for reading the DOMA insider and make sure to come visit the museum soon! DOMA is free and open to the public; we are open Tuesday \u2013 Friday 9:00 a.m. \u2013 4:30 p.m., and Saturday from 1:30 p.m. \u2013 4:30 p.m. Check out our website at bsu.edu\/doma.&nbsp;&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Image: Francisco De Goya, Spanish (1746-1828), Animal Folly, 1877, etching, aquaint, and tonal scratches, 9 \u00bd x 13 7\/8 in. plate, The David and Sarojini Johnson Collection. Written by Olivia Miller, Education Intern A Wild Story: The David and Sarojini Johnson Print Collection is an exhibition of prints created with a wide range of techniques [&hellip;]<\/p>\n","protected":false},"author":363,"featured_media":3902,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[14,44],"tags":[],"class_list":["post-3702","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artists","category-special-exhibitions"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>A Wild Story is told in DOMA galleries - DOMA Insider<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blogs.bsu.edu\/doma\/2023\/02\/21\/a-wild-story-is-told-in-doma-galleries\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A Wild Story is told in DOMA galleries - DOMA Insider\" \/>\n<meta property=\"og:description\" content=\"Image: Francisco De Goya, Spanish (1746-1828), Animal Folly, 1877, etching, aquaint, and tonal scratches, 9 \u00bd x 13 7\/8 in. plate, The David and Sarojini Johnson Collection. 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On Thursday, March 23, DOMA hosted a Printmakers Panel and reception to celebrate A Wild Story: The David and Sarojini Print Collection. Printmakers, community members, students, faculty,\u2026","rel":"","context":"In &quot;Events&quot;","block_context":{"text":"Events","link":"https:\/\/blogs.bsu.edu\/doma\/category\/events\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/bsu-wpe-blogs.s3.amazonaws.com\/wp-content\/uploads\/sites\/41\/2023\/04\/06130857\/IMG_6483-scaled.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/bsu-wpe-blogs.s3.amazonaws.com\/wp-content\/uploads\/sites\/41\/2023\/04\/06130857\/IMG_6483-scaled.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/bsu-wpe-blogs.s3.amazonaws.com\/wp-content\/uploads\/sites\/41\/2023\/04\/06130857\/IMG_6483-scaled.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/bsu-wpe-blogs.s3.amazonaws.com\/wp-content\/uploads\/sites\/41\/2023\/04\/06130857\/IMG_6483-scaled.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/bsu-wpe-blogs.s3.amazonaws.com\/wp-content\/uploads\/sites\/41\/2023\/04\/06130857\/IMG_6483-scaled.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/bsu-wpe-blogs.s3.amazonaws.com\/wp-content\/uploads\/sites\/41\/2023\/04\/06130857\/IMG_6483-scaled.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":2509,"url":"https:\/\/blogs.bsu.edu\/doma\/2017\/01\/19\/shift-explaining-the-role-of-curator-lisa-banner\/","url_meta":{"origin":3702,"position":1},"title":"Shift: Explaining the role of curator Lisa Banner","author":"domainsiderbsu","date":"January 19, 2017","format":false,"excerpt":"As a collection management intern, I often see the latter end of the exhibition process. When art work has been sifted through and selected, loans and gift agreement signed, our team steps in to unpack and document what is finally displayed to visitors. 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Writing teachers Felicia Gray and Rena Dossett guided young authors in letting their imaginations roam free. Students discovered that there are\u2026","rel":"","context":"In &quot;Education&quot;","block_context":{"text":"Education","link":"https:\/\/blogs.bsu.edu\/doma\/category\/education\/"},"img":{"alt_text":"Picture2","src":"https:\/\/domainsiderbsu.files.wordpress.com\/2014\/07\/picture2.png?w=350&h=200&crop=1","width":350,"height":200,"srcset":"https:\/\/domainsiderbsu.files.wordpress.com\/2014\/07\/picture2.png?w=350&h=200&crop=1 1x, https:\/\/domainsiderbsu.files.wordpress.com\/2014\/07\/picture2.png?w=525&h=300&crop=1 1.5x"},"classes":[]},{"id":1164,"url":"https:\/\/blogs.bsu.edu\/doma\/2015\/01\/30\/contemporary-conceptual-and-captivating\/","url_meta":{"origin":3702,"position":4},"title":"Contemporary, Conceptual, and Captivating","author":"domainsiderbsu","date":"January 30, 2015","format":false,"excerpt":"Do you have an interest in global issues, conceptual art, or multimedia? If so, come see our new special exhibition! Fractured Narratives: A Strategy to Engage; opened today at the David Owsley Museum of Art and will be on view through May 3. This contemporary exhibition was co-curated by Amy\u2026","rel":"","context":"In &quot;Special Exhibitions&quot;","block_context":{"text":"Special Exhibitions","link":"https:\/\/blogs.bsu.edu\/doma\/category\/special-exhibitions\/"},"img":{"alt_text":"Alfredo Jaar, Muxima (Film Still), 2005","src":"https:\/\/i0.wp.com\/blogs.bsu.edu\/doma\/wp-content\/uploads\/sites\/41\/2015\/01\/aj_muxima_2.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1184,"url":"https:\/\/blogs.bsu.edu\/doma\/2015\/02\/12\/curators-talk-and-opening-reception-fractured-narratives-a-strategy-to-engage\/","url_meta":{"origin":3702,"position":5},"title":"Curators&#8217; Talk and Opening Reception, Fractured Narratives: A Strategy to Engage","author":"domainsiderbsu","date":"February 12, 2015","format":false,"excerpt":"Regan Kelly Education Assistant To mark the opening of Fractured Narratives: A Strategy to Engage at the David Owsley Museum of Art, the co-curators of the exhibition, Amy Galpin and Abigail Ross Goodman, visited the museum to talk about their work. 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