{"id":370,"date":"2014-06-04T12:00:35","date_gmt":"2014-06-04T18:00:35","guid":{"rendered":"http:\/\/bsudlr.wordpress.com\/?p=370"},"modified":"2014-06-04T12:00:35","modified_gmt":"2014-06-04T18:00:35","slug":"dealing-with-our-bloody-past-repression-vs-recognition-of-american-history-in-stanley-kubricks-the-shining","status":"publish","type":"post","link":"https:\/\/blogs.bsu.edu\/dlr\/2014\/06\/04\/dealing-with-our-bloody-past-repression-vs-recognition-of-american-history-in-stanley-kubricks-the-shining\/","title":{"rendered":"Dealing With Our Bloody Past: Repression vs. Recognition of American History in Stanley Kubrick&#8217;s &#8216;The Shining&#8217;"},"content":{"rendered":"<blockquote><p>&#8220;This essay explores how director Stanley Kubrick&#8217;s\u00a0<em>The Shining<\/em> establishes the Overlook Hotel as an environment where conservative complacency has become the norm and all hope of progression is lost. By using a maze motif and the backdrop of Native American genocide,\u00a0<em>The Shining<\/em> explores and critiques how modern America was constructed.&#8221;<\/p><\/blockquote>\n<p>For more, read the full article <a href=\"http:\/\/issuu.com\/bsudlr\/docs\/digitalliteraturereviewissue1\/30\" target=\"_blank\" rel=\"noopener noreferrer\">here<\/a>!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;This essay explores how director Stanley Kubrick&#8217;s\u00a0The Shining establishes the Overlook Hotel as an environment where conservative complacency has become the norm and all hope of progression is lost. By using a maze motif and the backdrop of Native American genocide,\u00a0The Shining explores and critiques how modern America was constructed.&#8221; For more, read the full [&hellip;]<\/p>\n","protected":false},"author":57,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11],"tags":[7,9,95,96],"class_list":["post-370","post","type-post","status-publish","format-standard","hentry","category-issue-1","tag-bsudlr","tag-ghosts","tag-stanley-kubrick","tag-the-shining"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Dealing With Our Bloody Past: Repression vs. Recognition of American History in Stanley Kubrick&#039;s &#039;The Shining&#039; - The Digital Literature Review<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blogs.bsu.edu\/dlr\/2014\/06\/04\/dealing-with-our-bloody-past-repression-vs-recognition-of-american-history-in-stanley-kubricks-the-shining\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Dealing With Our Bloody Past: Repression vs. Recognition of American History in Stanley Kubrick&#039;s &#039;The Shining&#039; - The Digital Literature Review\" \/>\n<meta property=\"og:description\" content=\"&#8220;This essay explores how director Stanley Kubrick&#8217;s\u00a0The Shining establishes the Overlook Hotel as an environment where conservative complacency has become the norm and all hope of progression is lost. 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