{"id":110,"date":"2020-01-14T14:18:59","date_gmt":"2020-01-14T19:18:59","guid":{"rendered":"https:\/\/blogs.bsu.edu\/dlr\/?p=110"},"modified":"2020-01-14T14:18:59","modified_gmt":"2020-01-14T19:18:59","slug":"horrors-of-domesticity-rosemarys-baby","status":"publish","type":"post","link":"https:\/\/blogs.bsu.edu\/dlr\/2020\/01\/14\/horrors-of-domesticity-rosemarys-baby\/","title":{"rendered":"Horrors of Domesticity: Rosemary\u2019s Baby"},"content":{"rendered":"

By Marisa Williams<\/h4>\n

Warning: this post contains discussion of sexual assault\/violence, which may be triggering to some readers. The director, Roman Polanski, fled the United States in 1978 after pleading guilty to unlawful sexual intercourse with a minor, ten years after the making of this film.<\/h6>\n

A young newlywed couple moves into a grand apartment complex with a dark history. Guy and Rosemary Woodhouse are looking to start a family and dream of having, \u201cthree kids, one at each time,\u201d but their new home holds many secrets (Polanski). These secrets threaten Rosemary and her unborn child\u2019s life. The threat on Rosemary\u2019s life reveals the horror of domesticity, the erasure of identity and abjection of pregnancy. Rosemary\u2019s Baby <\/em>exposes the terrifying constraints forced on women, destroying their individualism through sexism.<\/p>\n

Rosemary\u2019s Baby<\/em>, directed by Roman Polanski, takes place in the years 1965-66 in a New York apartment complex. The film was released in 1968, and the novel by Ira Levin was completed in 1966. This film exposes the way sexism haunts the domestic sphere, especially during the film\u2019s era, and explores the terror of the abject in pregnancy. The earliest residents of the apartment complex were the Trench Sisters, Victorian women who cooked and ate young children. Another resident was Adrian Marcato, a known practicing witch who was attacked by a mob and killed in the lobby of the apartment complex. Finally, in the film\u2019s present, a Satanic cult lives in the complex, and in the course of the film this group drugs and forces Rosemary to host the spawn of Satan (Polanski). These details reveal that the Woodhouse\u2019s destiny is already decided. The disturbing and dark history of the apartment complex shows the larger cultural anxieties that are disturbing the domestic life of the 1960s, which fuels the terror through which women are manipulated to uphold the domestic sphere.<\/p>\n

\"\"<\/p>\n

Image via Google Images<\/a><\/p>\n

These elements in this film showcase the horrors of domesticity. Morality is a virtue expected of women, especially mothers. These expectations are attached to Rosemary, making her a target for the Satanic cult and their plans to bring Satan\u2019s spawn into the world. Virtue and morality are common qualities of the heroine in horror movies; Rosemary is not an exception. She participates in domestic housework like cleaning, improving the home, preparing food and completing laundry. Through these chores, the audience recognizes the sexist practices and the consequences befalling women, a lack of individualism and freedom. For example, Guy Woodhouse, Rosemary\u2019s husband, sells the well-being of his child and wife to advance his career as an actor. Rosemary does not decide to have a baby; she is raped and lied to.<\/p>\n

Guy Woodhouse\u2019s name reveals his role as a pawn to help the Satanic cult manipulate Rosemary to remain in her domestic role. Polanski\u2019s adaptation explains the power structure of white middle-class domesticity. Guy was a struggling actor; as he gains popularity, he leaves Rosemary, making her vulnerable. Rosemary begins to feel abandoned. She finds comfort in other women like Theresa Gionoffro and Minnie Castavet. The women meet and chat in domestic areas of the home: the kitchen, living room, and laundry room. This film creates distinctions between men and women, husband and wife. These distinctions erase Rosemary\u2019s identity by placing her in places where women \u201cbelong\u201d as she maintains the female domestic sphere. Guy\u2019s role reiterates the imbalance of power in middle-class white domesticity, where the women are abandoned and forced to maintain the home. For Rosemary, this imbalance renders her susceptible to the Satanic cult\u2019s intrusions as well.<\/p>\n

Rosemary\u2019s health begins to decline in the early stages of her pregnancy. As her health deteriorates, a physical and emotional representation of the abject appears. The abject is an example of the concept heimlich\/unheimlich<\/em>, familiar and unfamiliar. An abject is a part of us that we try to push away, both \u201cme\u201d and \u201cnot me.\u201d Rosemary\u2019s health initiates the abject imagery in the film. Her body begins to change, and she is unrecognized by her friends; her skin is pale, and she experiences abnormal pains. These symptoms are dramatized to reveal the identity complications of pregnancy. Polanski\u2019s adaptation highlights the horrors of pregnancy women face by exaggerating the familiar and unfamiliar, depicting the as experience uncanny.<\/p>\n

Rosemary\u2019s baby is abject because while the baby is within her and biologically a piece of her, the baby is not Rosemary it is an entirely different being. The baby is familiar because it reflects physical aspects of Rosemary\u2014it is her son\u2014yet, the baby is also the spawn of Satan, which is the unfamiliar aspect. Although it appears human, the eyes of the newborn reveal it is more sinister than assumed. Rosemary is horrified when she notices the child\u2019s eyes and realizes this isn\u2019t her and her husband\u2019s child. Nevertheless, in the film she accepts the child despite knowing who the father is, showcasing how Rosemary was manipulated by societal expectations to accept the child.<\/p>\n

Rosemary is manipulated throughout the movie to criticize the social ramifications forced on women. She is constantly lied to, manipulated, and insulted to let her guard down and conform to societal expectations. Ultimately, her acceptance of the spawn of Satan is brought by the hands of sexist ideologies and practices that haunt her. In Rosemary\u2019s Baby, <\/em>no matter how hard Rosemary attempts to regain her identity, she is pushed to conform to others\u2019 expectations. Therefore, the film asserts, no matter how hard women attempt to escape these constructs, they are continuously manipulated, lied to, and dragged back into them.<\/p>\n

 <\/p>\n

References:<\/h5>\n

Rosemary\u2019s Baby. <\/em>Directed by Roman Polanski, Paramount Pictures,1968.<\/p>\n

\u201cRosemary\u2019s Baby Analysis: The True Terror.\u201d YouTube,<\/em> uploaded by Jack\u2019s Movie Reviews, 7 October 2017,https:\/\/www.youtube.com\/watch?v=YOlKf5a1rRA.<\/p>\n

Villadragones, Cornelio. \u201cRosemary\u2019s Baby.\u201d Sharkwrighter. <\/em>20 August 2018, https:\/\/sharkwrighter.com\/2018\/08\/20\/rosemarys-baby\/<\/p>\n","protected":false},"excerpt":{"rendered":"

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A young newlywed couple moves into a grand apartment […]<\/p>\n","protected":false},"author":173,"featured_media":113,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-110","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ghost-stories-and-cultural-hauntings"],"yoast_head":"\nHorrors of Domesticity: Rosemary\u2019s Baby - The Digital Literature Review<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blogs.bsu.edu\/dlr\/2020\/01\/14\/horrors-of-domesticity-rosemarys-baby\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Horrors of Domesticity: Rosemary\u2019s Baby - The Digital Literature Review\" \/>\n<meta property=\"og:description\" content=\"By Marisa Williams Warning: this post contains discussion of sexual assault\/violence, which may be triggering to some readers. 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