{"version":"1.0","provider_name":"The Digital Literature Review","provider_url":"https:\/\/blogs.bsu.edu\/dlr","author_name":"bsudlr","author_url":"https:\/\/blogs.bsu.edu\/dlr\/author\/bsudlr\/","title":"\"No Tomorrow\" and the Uplifting Apocalyptic Narrative - The Digital Literature Review","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"XxdF5E7GUP\"><a href=\"https:\/\/blogs.bsu.edu\/dlr\/2018\/05\/03\/no-tomorrow-and-the-uplifting-apocalyptic-narrative\/\">&#8220;No Tomorrow&#8221; and the Uplifting Apocalyptic Narrative<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/blogs.bsu.edu\/dlr\/2018\/05\/03\/no-tomorrow-and-the-uplifting-apocalyptic-narrative\/embed\/#?secret=XxdF5E7GUP\" width=\"600\" height=\"338\" title=\"&#8220;&#8220;No Tomorrow&#8221; and the Uplifting Apocalyptic Narrative&#8221; &#8212; The Digital Literature Review\" data-secret=\"XxdF5E7GUP\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/blogs.bsu.edu\/dlr\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","description":"By\u00a0Abigail Gelopulos, Ball State University Evie Covington, the main character of the Warner Bros. apocalyptic television show No Tomorrow, is a nervous perfectionist who lacks the confidence necessary to implement changes in her life that would make her feel more on track to who she wants to be.\u00a0 Xavier Holliday, her male counterpart, is introduced [&hellip;]"}