{"version":"1.0","provider_name":"The Digital Literature Review","provider_url":"https:\/\/blogs.bsu.edu\/dlr","author_name":"bsudlr","author_url":"https:\/\/blogs.bsu.edu\/dlr\/author\/bsudlr\/","title":"Slavery and the White Savior: Then and Now - The Digital Literature Review","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"qU0xQ5wFyH\"><a href=\"https:\/\/blogs.bsu.edu\/dlr\/2015\/01\/19\/slavery-and-the-white-savior-then-and-now\/\">Slavery and the White Savior: Then and Now<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/blogs.bsu.edu\/dlr\/2015\/01\/19\/slavery-and-the-white-savior-then-and-now\/embed\/#?secret=qU0xQ5wFyH\" width=\"600\" height=\"338\" title=\"&#8220;Slavery and the White Savior: Then and Now&#8221; &#8212; The Digital Literature Review\" data-secret=\"qU0xQ5wFyH\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/blogs.bsu.edu\/dlr\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","description":"By: Sadie Brown In reviews of Django Unchained, the film is often criticized for its portrayal of the white savior figure. In his review of the film, Matthew Hughey tells readers why Django is not a revenge fantasy: Django is no antebellum-era Shaft.\u00a0 King Schultz not only buys Django\u2019s freedom, trains him in the art [&hellip;]","thumbnail_url":"https:\/\/blogs.bsu.edu\/dlr\/dlrpreview\/wp-content\/uploads\/sites\/11\/2015\/01\/cotton-233920_640.jpg?w=300"}